The settings on this page influence how the OpenMPT mixer renders the audio data.
OpenMPT needs to resample/interpolate samples when their sampling rate does not match the output rate or when they are played at a different pitch.
The default sample interpolation filter can be set here. You can also set the Resampling algorithm separately for each Instrument.
Interpolation is done whenever a sample has to be resampled from one sampling rate for another. For example, playing a 22 kHz sample in a module that is played back at 44 kHz requires the sampling rate of the sample to be doubled. The most primitive resampling algorithm, “no interpolation”, just repeats sampling points (in the example, it doubles them). This is very cheap mathematically, but also introduces unwanted frequencies into the resampled sample that should not be there. This is called aliasing. For lo-fi samples such as in chiptunes, this effect can actually be desired.
All the more sophisticated resampling methods try to get rid of this aliasing noise in different ways. While Linear interpolation (2 taps) is the most primitive in mathematics (apart from "No Interpolation", obviously), it is also the harshest in sound quality. Cubic interpolation (4 taps) sounds slightly better and with Polyphase (8 taps), there is a definite improvement.
Polyphase and XMMS-ModPlug resampling algorithms (both 8 taps) are basically the same algorithm with slightly different implementations. Polyphase in OpenMPT currently additionally applies a slight low-pass filter when downsampling which reduces aliasing a bit. XMMS-ModPlug allows a more fine-grained selection of the exact windowing function used to calculate the filter coefficients.
On modern systems, it is recommended to use one of the two higher quality 8 tap filters. If you have a slower system, try cubic interpolation which does not decrease sound quality too much in comparison to the 8 tap filters. If you care about faithful replay of older module files, you may prefer to use No (especially for Amiga tracks) or Linear Interpolation.
Approximate bandwidth of the audio signal that is retained when resampling. It is recommended to leave this at the default of 97%.
The specific windowing function used with the XMMS/ModPlug interpolation algorithm. You can choose from a variety of different ones, that for most users all have the same audible effect. But for advanced users who are exacting, this variety should suffice; experiment with each, but remember this algorithm will be applied to all samples that are played.
Ramping is applied to samples to avoid clicks at the beginning and the end of the sample in order to avoid unwanted clicks from bad DC offsets. The default ramp settings can be configured here, but they can also be overriden by an instrument-specific setting.
- up applies “fade-in” to the samples in an effort to dampen the clicks that come with poorly assembled sample waveforms, or from offset commands that “break into” a loud spot in the sample.
- down fades out the end of a sample that is stopped through note cuts. However, samples that end on their own are not affected by the ramping value, as a different fade-out slope is used there to prevent clicks from samples that do not end on zero level.
Ramping also makes volume slides smoother, so changing volume levels rapidly does not cause clicks.
The maximum number of sound channels that OpenMPT will use to render. In other words, Polyphony is the allowable number of notes that OpenMPT will process at once. Any computer that has been built in the last ten years should be able to handle the maximum amount of channels for most modules, but while older, low-end computers you will want to decrease the number of channels. Note that reducing the maximum polyphony only reduces the CPU load if those extra channels were actually used — if you play a 10-channel MOD file, it does matter little, if at all, whether the maximum polyphony is set to 16 or 256.
Allows for greater separation of the stereo channels; moving the slider modifies the amount of stereo separation. On headphones, it may be desirable to set this value to something below 100%, while on a normal speaker setup, stereo separation should be kept at 100%. If your speakers are too close to each other, it might help to increase stereo separation.
These options are only provided for modules that use legacy mix levels MPT 1.16, 1.17 RC1 and 1.17 RC2. They only affect samples — Instrument plugins are not affected, which can lead to problems with modules that use both samples and plugins. If you have such modules which use legacy mix levels, you should not touch these settings.
Originally thought of as a special panning mode that sounds more pleasant on headphones, this panning mode is forced when using RC3 Mix Levels and always disabled when using Compatible Mix Levels. As this can drastically alter the sound of stereo modules, it should not be enabled.